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A directional boundary microphone is a boundary microphone with a directional polar pattern such as cardioid or supercardioid. One method to create a directional boundary mic is to mount panels (hard surfaces) next to an omnidirectional mic capsule.
The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated , it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.
As with directional microphones, the polar pattern for an "omnidirectional" microphone is a function of frequency. The body of the microphone is not infinitely small and, as a consequence, it tends to get in its own way with respect to sounds arriving from the rear, causing a slight flattening of the polar response.
Neumann U 87 with shock mount. Introduced in 1967 as the solid-state successor to the U 67, [4] [5] [1] Neumann introduced the U 87 alongside the KM 86, KM 84, and KM 83 as part of the company's first 'FET 80' series of microphones that utilized use solid-state FET electronics that didn't require separate power supplies or multi-pin power cables and allowed the mics to be made smaller. [6]
The origin of SM57 may be traced to 1937, when Shure engineer Benjamin Bauer developed the first single-element directional microphone, the Unidyne, which had a cardioid pickup pattern. [1] In 1959, another Shure engineer, Ernie Seeler, advanced the art of microphone design significantly with the Unidyne III capsule which was later used in the ...
The large size and weight of the RE20 requires a strong microphone stand or boom arm, and a very sturdy microphone clip or robust hanging yoke. The supplied mic clip (model number 320) is tightened securely with a knurled knob. An optional shock-mount is available for the RE20 family of microphones: the EV model 309A.
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