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Yasumasa Morimura in his Osaka studio 1990; photograph by Sally Larsen. An Inner Dialogue with Frida Kahlo (Skull Ring), photograph by Yasumasa Morimura Yasumasa Morimura (森村 泰昌, Morimura Yasumasa, born June 11, 1951) is a contemporary Japanese performance and appropriation artist whose work encompasses photography, film, and live performance.
Olympia is a 1863 oil painting by Édouard Manet, depicting a nude white woman ... Portrait (Futago), Yasumasa Morimura, 1988. [32] Odalisque I. Looking at Manet.
With the artist MORIMURA Yasumasa as artistic director, Yokohama Triennale 2014 "ART Fahrenheit 451: Sailing into the sea of oblivion" was held at Yokohama Museum of Art and Shinko Pier Exhibition Hall from August to November 2014, featuring 65 participants/groups from 19 countries. [10]
English: Yasumasa Morimura for Issey Miyake, printed and perma-pleated polyester, 1997. From the Guest Artist series, first collaboration. The collage by Morimura commissioned by Miyake reproduces a nude woman from Ingres’s Neoclassical painting La Source (1856) juxtaposed with a self-portrait of the artist draped in red tulle.
Abstract painter, printmaker, and professor at Tama Art University: Yasumasa Morimura: Born 1951 Appropriation artist: Katsura Funakoshi: Born 1951 Sculptor and printmaker Yoshitaka Amano: Born 1952 Character designer, illustrator, printmaker, painter and sculptor Shigeru Miyamoto: Born 1952
Yasumasa Morimura (born 1951), photographer; Robert Morris (1931–2018), sculptor, writer and conceptual artist; Ed Moses (1926–2018), painter; Antoni Muntadas (born 1942), installation and new media artist; Vik Muniz (born 1961), photographer; Bruce Munro (born 1959), installation artist; Takashi Murakami (born 1962), sculptor and painter
Yasumasa Morimura is a Japanese appropriation artist who borrows images from historical artists (such as Édouard Manet or Rembrandt) to modern artists as Cindy Sherman, and inserts his own face and body into them.
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