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Vase by Daum (c. 1930–1935), Museum of Decorative Arts, Paris Stained glass windows by Jean Gaudin (1932–1934), Amiens Cathedral , Amiens, France Like the Art Nouveau period before it, Art Deco was an exceptional period for fine glass and other decorative objects designed to fit their architectural surroundings.
The variety of Byzantine furniture is pretty big: tables with square, rectangle or round top, sumptuous decorated, made of wood sometimes inlaid, with bronze, ivory or silver ornaments; chairs with high backs and with wool blankets or animal furs, with coloured pillows, and then banks and stools; wardrobes were used only for storing books ...
Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, [1] or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.
The Portland Vase is a Roman cameo glass vase, which is dated between AD 1 and AD 25, though low BC dates have some scholarly support. [1] It is the best known piece of Roman cameo glass and has served as an inspiration to many glass and porcelain makers from about the beginning of the 18th century onwards.
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
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