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Feast in the House of Simon the Pharisee, also known as Christ in the Home of Simon the Pharisee, is a painting by Peter Paul Rubens. It was painted c. 1618–1620, and is in The Hermitage Museum, St. Petersburg. [1] The painting depicts an incident from Luke 7 where Jesus visits Simon the Pharisee, and has
The raising of the son of the widow of Nain (or Naim) [1] is an account of a miracle by Jesus, recorded in the Gospel of Luke chapter 7. Jesus arrived at the village of Nain during the burial ceremony of the son of a widow, and raised the young man from the dead. (Luke 7:11–17) The location is the village of Nain, two miles south of Mount Tabor.
This account of a miracle by Jesus is only recorded in the Gospel of Luke. [7] Jesus, accompanied by a large crowd (verse 11), arrived at the gates of the village of Nain during the burial ceremony of the son of a widow, and raised the young man from the dead. The location is the village of Nain in Galilee, two miles south of Mount Tabor.
Hugo van der Goes, Saint Luke Drawing the Virgin, c. 1470–80. National Museum of Ancient Art, Lisbon. Depictions of Luke drawing the Virgin rose in popularity in the mid-to-late 15th century, with van der Weyden's panel the earliest known from the Low Countries [67] – Campin's earlier treatment was by then lost. [68]
Saint Luke painting the Virgin (German and Dutch: Lukas-Madonna) is a devotional subject in art showing Luke the Evangelist painting the Virgin Mary with the Child Jesus. Such paintings were often created during the Renaissance for chapels of Saint Luke in European churches, and frequently recall the composition of the Salus Populi Romani , an ...
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Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens.
The canvas is divided into two parts. At the top, two angels on a platform of clouds and cherub heads observe the scene. Below, Mary and Joseph, accompanied by the ox and the donkey, barely visible, are in adoration before the Child Jesus, swaddled as he is described in the Gospel of Luke. In the background, a resplendent angel flies over the ...