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Dorothy Wright Liebes (14 October 1897 – 20 September 1972) was an American textile designer and weaver renowned for her innovative, custom-designed modern fabrics for architects and interior designers. [1] She was known as "the mother of modern weaving". [2]
Textile design, also known as textile geometry, is the creative and technical process by which thread or yarn fibers are interlaced to form a piece of cloth or fabric, which is subsequently printed upon or otherwise adorned. [1]
While best known for her monumental tapestries and theatre curtains, she also worked with embroidery, stained glass, costumes and paintings. Some of Beauchemin's most famous work in Canada include the acrylic curtain that she made for the Grande Salle of the Théâtre Maisonneuve at Place des Arts in Montréal (1963-1967) and the stage curtain of the National Arts Centre in Ottawa (1966-1969). [2]
At the time of his death in 1957, his collection numbered 500 rugs and 3,500 textiles. Since then, the museum has broadened its holdings to better represent the full spectrum of non-Western textile arts. Today the museum's collections number more than 19,000 objects and span 5,000 years, dating from 3,000 B.C.E. to the present. [6]
Airborne chemicals, such as smog or cigarette smoke are also harmful to the textiles, and should be avoided if at all possible. In museum or otherwise specialist collections, high-efficiency air filters are typically installed throughout the building to reduce the presence of airborne chemicals that may stain, discolor, or weaken fabrics.
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