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For a complete list of Tchaikovsky's works, including those without opus numbers, see here. [1] For more detail on dates of composition, see here. [2] Op. 1 Two Pieces for piano (1867) Scherzo à la russe in B ♭ major; Impromptu in E ♭ minor; Op. 2 Souvenir de Hapsal, 3 pieces for piano (1867) Op. 3 The Voyevoda, opera (1868)
While the contributions of the Russian nationalistic group The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, Tchaikovsky's formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th ...
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios, Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [3]
Chamber music by Pyotr Ilyich Tchaikovsky (1 C, 3 P) Choral compositions by Pyotr Ilyich Tchaikovsky (4 P) ... Concertante works by Pyotr Ilyich Tchaikovsky (1 C, 7 P) O.
Pyotr Ilyich Tchaikovsky [n 1] (/ tʃ aɪ ˈ k ɒ f s k i / chy-KOF-skee; [2] 7 May 1840 – 6 November 1893) [n 2] was a Russian composer during the Romantic period.He was the first Russian composer whose music made a lasting impression internationally.
The Piano Concerto No. 1 in B ♭ minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. [1] It was revised in 1879 and in 1888. It was first performed on October 25, 1875, in Boston by Hans von Bülow after Tchaikovsky's desired pianist, Nikolai Rubinstein , criticised the piece.
Here Tchaikovsky harnessed the harmonic, melodic and rhythmic quirks of Ukrainian folk music to produce an opening movement massive in scale, intricate in structure and complex in texture—what Brown calls "one of the most solid structures Tchaikovsky ever fashioned" [47] —and a finale that, with the folk song "The Crane" offered in an ever ...
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