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The Return of the Prodigal Son (1773) by Pompeo Batoni. The Parable of the Prodigal Son (also known as the parable of the Two Brothers, Lost Son, Loving Father, or of the Forgiving Father; Greek: Παραβολή του Ασώτου Υιού, romanized: Parabolē tou Asōtou Huiou) [1] [2] is one of the parables of Jesus in the Bible, appearing in Luke 15:11–32.
The Prodigal Son, also known as Two Sons, Lost Son, the Prodigal Father, [15] the Running Father, [16] and the Loving Father, the third and final part of the cycle on redemption, also appears only in Luke's Gospel (verses 11-32). It tells of a father who gives the younger of his two sons his share of the inheritance before he dies.
The story of the Prodigal Son is told in Luke 15:11-32. The story begins with an unnamed son (the "Prodigal Son") asking his father for his inheritance. After receiving his inheritance, the son travelled to a distant country where he spent all of his money recklessly. After a famine took place in that country he found himself desperately poor.
The parables of the Lost Sheep, Lost Coin, and Lost (Prodigal) Son form a trio in Luke dealing with loss and redemption. [30] The parable of the Faithful Servant and parable of the Ten Virgins, adjacent in Matthew, involve waiting for a bridegroom, and have an eschatological theme of being prepared for the day of reckoning. [31]
They tell the parable of the poor son and his rich father (sometimes called the "prodigal son" parable). This man left home and became a beggar for 50 years while his father became incredibly rich. One day the son arrives at the father's estate, but the son does not recognize his father and is afraid of such a powerful man.
Supporters of this view point to a key detail in the story: the use of a personal name (Lazarus) not found in any other parable. By contrast, in all of the other parables Jesus refers to a central character by a description, such as "a certain man", "a sower", and so forth.
The second act contains the story of the older brother, who tells of his own righteousness and his disgust at what his younger brother did. When his brother returned home, he watched in horror at how his father welcomed back his son, going so far as to even throw a party for him, even though he had never given his elder (and more upright in standing) son a party.
The observer is roused to a feeling of some extraordinary event ... The whole represents a symbol of homecoming, of the darkness of human existence illuminated by tenderness, of weary and sinful mankind taking refuge in the shelter of God's mercy. [5] Art historian H. W. Janson writes that Prodigal Son "may be [Rembrandt's] most moving painting ...
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