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First, art (and, more generally, culture) found itself at the centre of an ideological war. Second, during World War II, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps, in death camps) and their works are a testimony to a powerful "urge to create." Such creative impulse can be ...
Bawden taught at the Royal College of Art, where he had been a student, worked as a commercial artist and served as a war artist in World War II. He was a fine watercolour painter but worked in many different media. He illustrated several books and painted murals in both the 1930s and 1960s. [1]
Marcel Marceau (French pronunciation: [maʁsɛl maʁso]; born Marcel Mangel; 22 March 1923 – 22 September 2007) was a French mime artist and actor most famous for his stage persona, "Bip the Clown". He referred to mime as the "art of silence", performing professionally worldwide for more than 60 years.
These pictures were presented at large-scale exhibitions during the war years; After the end of World War II, Americans took possession of Japanese artwork. [74] [75] [76] There are some who may choose not to create war art. During the course of World War II, the Italians created virtually no art which documented the conflict.
A number of Hitler's paintings were seized by the United States Army (some believed to still be in Germany) at the end of World War II. They were taken to the United States with other captured materials and are still held by the U.S. government, which has declined to allow them to be exhibited. [14] Other paintings were kept by private individuals.
Rosenberg had a well-established art gallery that housed many famous works of art. He also had good connections with many famous painters including Braque, Matisse and Picasso. Because of these good connections, his art collection was a target for Nazi officials that were in charge of gathering art for Hitler's museum in Linz. [5]
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[80] Approximately 1,363 feature pictures were made during Nazi rule (208 of these were banned after World War II for containing Nazi Propaganda). [81] Every film made in Nazi Germany (including features, shorts, newsreels, and documentaries) had to be passed by Joseph Goebbels himself before they could be shown in public. [82]