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The Best of Trouser Press Magazine 1974-1984,” a sprawling 440-page 50th anniversary collection of its greatest articles that is practically a real-time history of some of the best rock music of ...
Author and journalist Ira Robbins founded an influential alternative music magazine titled Trouser Press after the Bonzo's song, and his book The Trouser Press Record Guide: The Ultimate Guide to Alternative Stone is a reference work on alternative and outlandish music first published in 1983 and the fourth edition was published in 1991 (ISBN 0 ...
Trouser Press writes that the album "[revives] the grind-and-caterwaul of Teenage Jesus as filtered through Metal Box-era PiL, all deviant guitar and rolling rhythms". [1] UK magazine Fact wrote that "sonically it comes over like a more droning, dissolute Stateside cousin of Siouxsie & the Banshees' Juju". [2]
Scratch (magazine) Screamer Magazine; The Second Line; Side Stage Magazine; Sing Out! Singing News; Skyscraper (magazine) Slash (fanzine) Slug and Lettuce (fanzine) SLUG (magazine) Sluggo! Sound & Vision (magazine) Soundboard (magazine) The Source; Source: Music of the Avant Garde; Spin (magazine) Stereophile; Streetsound; Suburban Punk 'SUP ...
One contemporary review in New York's Trouser Press magazine called the album "an outrageous collection of musical brain spewage" and "a true slash of genius". [2] Phonography ultimately became the best-known album of Moore's career. [3]
Sweeting started writing in 1979 for publications such as Beat Instrumental, [2] [3] Trouser Press, [2] Australian magazine RAM [4] and NME. [2] In 1980, he became a feature editor for Melody Maker [5] and briefly collaborated with Sounds. In 1985, he stopped collaborating with Melody Maker to work for The Guardian and Q. [2]
This page was last edited on 7 February 2022, at 23:53 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
[4] Trouser Press, in a largely negative review, called the songwriting "monotonous" and said he was enthusiastically "trying to renovate his sound for today's scene". They did have praise for "Thoroughfare Gap", but still noted that it was six years old, saying it was the only song that had "the folksy funk style that once made him worthwhile ...
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