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The Nightingales, with several changes of membership, continue to tour and record. John Fogerty's goal for the line, "rollin', rollin', rollin' on the river", in the song "Proud Mary" was to evoke male gospel harmonies, as exemplified by groups such as the Swan Silvertones, the Sensational Nightingales, and the Five Blind Boys of Mississippi. [2]
To make ends meet Cheeks briefly joined the Soul Stirrers, rejoining the Nightingales during the early 1950s. During the 1950s, the Nightingales had a number of hits including "Somewhere to Lay My Head" and "The Last Mile of the Way". Due to popularity, they rechristened themselves the Sensational Nightingales. [4]
Paul Owens (July 27, 1924 – October 17, 2002) was one of the foremost artists in African American gospel music, performing with The Dixie Hummingbirds, the Swan Silvertones and the Sensational Nightingales.
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
The lead vocal was by folk singer Will Holt, who shared the credit for writing the song with Baxter. However, the song clearly bears a close resemblance, in both melody and lyrics, to "On the Judgement Day", which was recorded by gospel group The Sensational Nightingales in 1954 and released the following year on the Peacock label.
Otis Lee Clay [1] (February 11, 1942 – January 8, 2016) was an American R&B and soul singer, who started in gospel music. ... and then the Sensational Nightingales. ...
George Clooney admits he once assumed his age difference with wife Amal Clooney would be insurmountable.. In a wide-ranging interview with The New York Times to promote his Broadway debut in Good ...
John Fogerty's goal for the line, "Rollin', rollin', rollin' on the river," in the song "Proud Mary" was to evoke male gospel harmonies, as exemplified by groups such as the Swan Silvertones, the Sensational Nightingales, and the Five Blind Boys of Mississippi. [3] The Swan Silvertones were inducted into the Vocal Group Hall of Fame in 2002.