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Ancient Greek architecture came from the Greeks, or Hellenes, whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC.
The architectural style of these buildings was heavily influenced by the western European architecture. After the Greek War of Independence and the creation of the modern Greek state, the modern Greek architecture tried to combine the traditional Greek architecture and Greek elements and motives with the western European movements and styles.
The Corinthian order (Greek: Κορινθιακὸς ῥυθμός, Korinthiakós rythmós; Latin: Ordo Corinthius) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient ...
Architects' first real look at the Greek Ionic order: Julien David LeRoy, Les ruines plus beaux des monuments de la Grèce Paris, 1758 (Plate XX) The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian.
Coming down to the present from Ancient Greek and Ancient Roman civilization, the architectural orders are the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed.
The Temple of Olympian Zeus, Athens, (174 BC–132 AD), with the Parthenon (447–432 BC) in the background. This list of ancient Greek temples covers temples built by the Hellenic people from the 6th century BC until the 2nd century AD on mainland Greece and in Hellenic towns in the Aegean Islands, Asia Minor, Sicily and Italy ("Magna Graecia"), wherever there were Greek colonies, and the ...
[19] [20] Although new temples to Greek deities still continued to be constructed, e.g. the Tychaion at Selge [21] [22] they tend to follow the canonical forms of the developing Roman imperial style of architecture [23] or to maintain local non-Greek idiosyncrasies, like the temples in Petra [24] or Palmyra. [25]
In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves, each rising to a sharp edge called an arris.
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