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Newer video standards support 120, 240, or 300 frames per second, so frames can be evenly sampled for standard frame rates such as 24, 48 and 60 FPS film or 25, 30, 50 or 60 FPS video. Of course these higher frame rates may also be displayed at their native rates.
25i, also known as 50i, is an interlaced format showing 25 interlaced frames per second, or 50 fields per second, and is the standard broadcast framerate for countries with a PAL and SECAM television history (most of the world). The interlaced format sacrifices some detail in vertical resolution in favor of a higher apparent framerate, and can ...
Standard film stocks typically record at 24 frames per second. For video, there are two frame rate standards: NTSC, at 30/1.001 (about 29.97) frames per second (about 59.94 fields per second), and PAL, 25 frames per second (50 fields per second). Digital video cameras come in two different image capture formats: interlaced and progressive scan ...
In video technology, 24p refers to a video format that operates at 24 frames per second (typically, 23.976 frame/s when using equipment based on NTSC frame rates, but now 24.000 in many cases) frame rate with progressive scanning (not interlaced). Originally, 24p was used in the non-linear editing of film-originated material.
There is a large difference in frame rate between film, which runs at 24 frames per second, and the NTSC standard, which runs at approximately 29.97 (10 MHz×63/88/455/525) frames per second. In regions that use 25-fps television and video standards, this difference can be overcome by speed-up.
In NTSC standard countries, the projection rate is 30 frames per second, using a technique called 3:2 pull-down. One film frame is held for three video fields (1/20 of a second), and the next is held for two video fields (1/30 of a second) and then the process is repeated, thus achieving the correct film projection rate with two film frames ...
Even when shot on film, frame rates higher than 24 fps and 30 fps are quite common in TV drama and in-game cinematics. ~50 or ~60 frames per second have been universal in television and video equipment, broadcast, and storage standards since their inception.
There is a large difference in frame rate between film (24.0 frames per second) and NTSC (approximately 29.97 frames per second). Unlike the two other most common video formats , PAL and SECAM , this difference cannot be overcome by a simple speed-up , because the required 25% speed-up would be clearly noticeable.