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Paithani is characterised by borders of an oblique square design, and a padar with a peacock design. [2] Plain as well as spotted designs are available. Among other varieties, single colored and kaleidoscope-colored designs are also popular. The kaleidoscopic effect is achieved by using one color for weaving lengthwise and another for weaving ...
The border of the sari is very broad (4 to 6 inches) and red or maroon in colour and is made of different designs with ochre patterns. The sari is either made of cotton, or a mixture of cotton and silk or in pure silk. The colors traditionally used are pomegranate red, brilliant peacock green and parrot green.
[1] [unreliable source] Paithani, named after the Paithan town in Aurangabad Maharashtra, is made from very fine silk and is characterized by borders of an oblique square design, and a pallu with a Peacock design. Banarasi, also known as Banarasi Silk, is a fine variant of Silk that originates from the city of Varanasi in Uttar Pradesh, India.
His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and ...
The Peacock Skirt was the second of ten illustrative plates published with the English version of Wilde's play. It shows a rear quarter view of a woman, Salome, wearing a long robe decorated with stylised peacock feather pattern. Her headdress is also decorated with peacock feathers, and more long peacock feathers drape down over her back.
The Double Peacock Service is a pattern in Chinese export porcelain, using fine quality hard-paste porcelain for dinner and other services, in the European taste. Produced on order and perhaps for stock in China in the 18th century, it was brought to Europe and sold by the European trading companies. [ 1 ]
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.