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Rachel Ruysch (3 June 1664 – 12 October 1750) [1] was a Dutch still-life painter from the Northern Netherlands.She specialized in flowers, inventing her own style and achieving international fame in her lifetime.
Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta, Georgia. The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [1] which she painted from the mid-1920s through the 1950s. [2] She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. [3]
Art historian Britta Benke argues that due to "its meditative contemplation of individual objects", Summer Days is closer to a still life composition than to a landscape painting. [11] Author Marjorie P. Balge-Crozier suggests that there is an art historical precedent to O'Keefe's combination of still life and landscape imagery seen in Summer Days.
She painted an extreme close-up of the canna lily entitled Inside the Red Canna in 1919. [11] It is a depiction of the large petals of the exterior of the flower, with focus on the interior through the use of contrasting shades of colors. The painting was made with red, orange, brown, and pink paint. [12]
Choosing to make a detailed painting of a photograph itself created an abstraction — if “abstract” is defined as the quality of dealing with an idea, rather than an event. Somehow, that ...
The Huffington Post
It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts, in Washington, D.C.. Ruysch has been recorded as making pendant paintings, with one painting of flowers (called a "bloemstuk") and another of fruit ("fruitstuk"), often on a forest floor. A pendant to this painting is unknown.
Van Oosterwijck painted a recurring poetic embellishment into her still lifes. The red admiral butterfly (Vanessa atalanta) appears in various locations within most of her substantial paintings. [8] For example, sometimes the butterfly is resting on a flower stem, or on the edge of a table with a flower vase, or on a book.
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