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Old Possum's Book of Practical Cats (1939) is a collection of whimsical light poems by T. S. Eliot about feline psychology and sociology, published by Faber and Faber. It serves as the basis for Andrew Lloyd Webber's 1981 musical Cats. Eliot wrote the poems in the 1930s and included them, under his assumed name "Old Possum", in letters to his ...
Mr. Mistoffelees is a character in T. S. Eliot's 1939 poetry book Old Possum's Book of Practical Cats and its 1981 musical adaptation, Andrew Lloyd Webber's Cats. Mistoffelees is a young black-and-white tuxedo cat with magical powers that he cannot yet fully control.
The Naming of Cats is a poem in T. S. Eliot's 1939 poetry book Old Possum's Book of Practical Cats. It was adapted into a musical number in Andrew Lloyd Webber's 1981 musical Cats, and has also been quoted in other films, notably Logan's Run (1976). The poem describes to humans how cats get their names.
The Rainbow Bridge is a meadow where animals wait for their humans to join them, and the bridge that takes them all to Heaven, together. The Rainbow Bridge is the theme of several works written first in 1959, then in the 1980s and 1990s, that speak of an other-worldly place where pets go upon death, eventually to be reunited with their owners.
The poem is considered particularly suitable reading for 11- and 12-year-olds. [7] Although originally published as part of a collection of poems, "Macavity the Mystery Cat" was published as a standalone book by Faber and Faber in 2015. [8] [9] In the poem, Macavity is a master criminal who is too clever to leave any evidence of his guilt.
"Gus: The Theatre Cat" is a poem by T. S. Eliot included in Old Possum's Book of Practical Cats. Known as "The Theatre Cat" due to his career as an actor, Gus is an old and frail, yet revered, cat, who "suffers from palsy, which makes his paws shake."
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The poems, including "A Song for Simeon", were later published in both the 1936 and 1963 editions of Eliot's collected poems. [2] In 1927, Eliot had converted to Anglo-Catholicism and his poetry, starting with the Ariel Poems (1927–31) and Ash Wednesday (1930), took on a decidedly religious character. [3] "A Song for Simeon" is seen by many ...
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