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This was followed three years later by the first Western SLR to use 135 film (otherwise known as 35 mm film), the Kine Exakta (World's first true 35 mm SLR was Soviet "Sport" camera, marketed several months before Kine Exakta, though "Sport" used its own film cartridge). The 35 mm SLR design gained immediate popularity and there was an ...
35 mm f/3.5 PC-Nikkor lens — the first perspective control lens for a 35 mm camera, permitting control of perspective in architectural photography. 1962 Nikkorex Zoom 35 (Japan): first 35 mm SLR with fixed zoom lens (Zoom-Nikkor Auto 43–86mm f/3.5). Had non-pentaprism, four mirror reflex viewfinder and leaf shutter.
Oskar Barnack (Nuthe-Urstromtal, Brandenburg, 1 November 1879 – Bad Nauheim, Hesse, 16 January 1936) was a German inventor and photographer who built, in 1913, what would later become the first commercially successful 35mm still-camera, subsequently called Ur-Leica at Ernst Leitz Optische Werke (the Leitz factory) in Wetzlar.
The Kine Exakta was the first 35mm single-lens reflex (SLR) still camera in regular production. It was presented by Ihagee Kamerawerk Steenbergen GmbH, Dresden at the Leipziger Frühjahrsmesse in March 1936. [1]
Another ancestor of the modern SLR camera was the Swiss-made Alpa, which was innovative, and influenced the later Japanese cameras. The first eye-level SLR viewfinder was patented in Hungary on August 23, 1943, by Jenő Dulovits, who then designed the first 35 mm camera with one, the Duflex, which used a system of mirrors to provide a laterally ...
The first big-selling 35 mm still camera was the American Tourist Multiple, [7] which also appeared in 1913, at a cost of $175 (~5,600 US Dollars in 2024) The first camera to take full-frame 24×36 mm exposures seems to be the Simplex, introduced in the U.S. in 1914. It took either 800 half-frame or 400 full-frame shots on 50 ft (15.2 m) rolls.
The Leica was the first practical 35 mm camera that used standard cinema 35 mm film. The Leica transports the film horizontally, extending the frame size to 24×36mm with a 2:3 aspect ratio, instead of the 18×24 mm of cinema cameras, which transport the film vertically.
It is still used extensively in motion pictures for sequences without synchronous sound - "motor only sync" - and unique camera movement, e.g. on Steadicam.It was widely used with 200 ft loads (the smaller 200 ft magazine was in production at that time) as a 'battlefield camera' for the German Wehrmacht during World War II for collecting battlefront intelligence, (e.g. for analyzing weapons ...