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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1]
The Koto: A Traditional Instrument in Contemporary Japan. Hotei. ISBN 90-74822-63-0. Japan: Kubota, Hideki (1986). Yakumogoto no shirabe: Shinwa to sono kokoro (八雲琴の調べ : 神話とその心 / 窪田英樹) (in Japanese). Ōsaka-shi: Tōhō Shuppan. ISBN 4-88591-144-3. Japan: Wade, Bonnie C. (1976). Tegotomono: Music for the Japanese ...
The 80-string koto, known as the hachijugen (八十絃/はちじゅうげん) in Japanese, was an invention of Japanese composer Michio Miyagi created in 1923. Miyagi added 67 strings to the traditional 13-string koto design, creating an instrument much like a western harp. Together, the 80 strings provide a far larger pitch range than the ...
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
The Japanese Koto is also a half-tube zither. [34] The ancestor of the koto was the Chinese guzheng . [ 35 ] [ 36 ] [ 37 ] [ 34 ] It was first introduced to Japan from China in the 7th and 8th century. [ 38 ]
The taishōgoto (大正琴), or Nagoya harp, is a Japanese stringed musical instrument. The name derives from the Taishō period (1912–1926) when the instrument first appeared. It has also become naturalized in East Africa, often under the name Taishokoto . [ 1 ]
The 17-string koto (Japanese: 十七絃 or 十七弦, Hepburn: jūshichi-gen, "seventeen strings") is a variant of the koto with 17 strings instead of the typical 13.. The instrument is also known as jūshichi-gensō (十七絃箏), "17 stringed koto", or "bass koto" (although koto with a greater number of strings also exist).
Professional players can produce virtually any pitch they wish from the instrument, and play a wide repertoire of original Zen music, ensemble music with koto, biwa, and shamisen, folk music, jazz, and other modern pieces. Much of the shakuhachi 's subtlety (and player's skill) lies in its rich tone colouring, and the ability for its variation.
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