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A musical composition may be in the form of a notated copy (for example sheet music) or in the form of a phonorecord (for example cassette tape, LP, or CD). Sending a musical composition in the form of a phonorecord does not necessarily mean that there is a claim to copyright in the sound recording." [10]
The literary work is said to be set, or adapted, to music. Musical settings include choral music and other vocal music. [1] A musical setting is made to particular words, such as poems. [2] By contrast, a musical arrangement is a musical reconceptualization of a previously composed work, rather than a brand new piece of music. An arrangement ...
Arabesque – Composition with a flowing and ornate style, inspired by Arabic architecture. Art song – Musical setting of a poem or text usually written for one voice with piano accompaniment. Lied – German art song. Mélodie – French art song. Song cycle – Group of songs designed to be performed in a sequence as a single entity.
Afrikaans; Anarâškielâ; Аԥсшәа; العربية; Aragonés; Arpetan; Asturianu; Български; Bosanski; Català; Чӑвашла; Čeština; Cymraeg; Dansk
The quodlibet took on additional functions between the beginning and middle of the 19th century, when it became known as the potpourri and the musical switch.In these forms, the quodlibet would often feature anywhere from six to fifty or more consecutive "quotations"; the distinct incongruity between words and music served as a potent source of parody and entertainment. [4]
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure to them, such as the common ABA form , and are usually made of sections that are repeated or performed with variation later.
The great age of German song came in the nineteenth century. With the flowering of German literature, German-speaking composers found more inspiration in poetry. [citation needed] Schubert found a new balance between words and music, a new expression of the sense of the words in and through the music.
Common practice period – period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.