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A musical composition may be in the form of a notated copy (for example sheet music) or in the form of a phonorecord (for example cassette tape, LP, or CD). Sending a musical composition in the form of a phonorecord does not necessarily mean that there is a claim to copyright in the sound recording." [10]
Joseph Kerman's influential book Contemplating Music [8] called for the re-contextualization of musical works and greater investigation into their cultural milieux rather than their subsequent status in the musical canon. This was parallel to the New Historicism in other historical fields, wherein everyday life was deemed as worthy of ...
The literary work is said to be set, or adapted, to music. Musical settings include choral music and other vocal music. [1] A musical setting is made to particular words, such as poems. [2] By contrast, a musical arrangement is a musical reconceptualization of a previously composed work, rather than a brand new piece of music. An arrangement ...
Musical literacy is the reading, writing, and playing of music, as well an understanding of cultural practice and historical and social contexts.. Music literacy and music education are frequently talked about relationally and causatively, however, they are not interchangeable terms, as complete musical literacy also concerns an understanding of the diverse practices involved in teaching music ...
Large sets of many individual character pieces, intended to be played as a single piece of music, were not uncommon; Schumann's many works of this form (including Kreisleriana and Carnaval) are the best known examples. In the late 19th and twentieth centuries, as piano music became ambitious and larger in scale, the scope of what a character ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Common practice period – period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.
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