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The song has a characteristic bass line and is set to a funk beat.For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos.
Join us, then, on Pino’s 65th birthday, as we list the songs that prove he is a true bass genius. Pino Palladino, Roger Daltrey, and Zak Starkey of The Who perform at Arena at Gwinnett Center on ...
Leroy Sibbles (born Leroy Sibblies, 29 January 1949) is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s.. In addition to his work with The Heptones, Sibbles was a session bassist and arranger at Clement "Coxsone" Dodd's Jamaica Recording and Publishing Studio and the associated Studio One label during the prolific late 1960s.
Johann Pachelbel's Canon in D major, written in the mid-Baroque period and revived from obscurity in the 1960s, has been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work.
The song was written by Petty and his writing partner for the album, Jeff Lynne, and features Lynne on backing vocals and bass guitar. The duo wrote and recorded the single in two days, making it the first song completed for Full Moon Fever. "Free Fallin'" is one of Petty's most famous tracks as well as his highest - and longest - charting song ...
James Lee Jamerson (January 29, 1936 – August 2, 1983) [1] [a] was an American bassist.He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the greatest and most influential bass players in modern music history.
Most songs are around 135 to 142 bpm, faster than most UK garage and around the same tempo as most grime and dubstep. Together with its return to musical styles associated with femininity, bassline is said to embrace pop music aesthetics, and to have a euphoric, exuberant quality similar to that of earlier British rave music — both also in ...
The song is composed in the key of D major, with a time signature set in common time, and moves at a moderate tempo of 108 beats per minute. [13] While most of the group's previous songs have a dance-oriented sound, "Hold Me Now" has a mainstream piano-based melody but keeps the prominent bass line and Currie's Latin percussion of earlier ...