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Johnson was raised in Yorktown Heights, New York and started playing banjo at the age of 15. In 1971, he began his first banjo lessons with Jay Ungar in Garrison, NY. While studying with Ungar he learned the "Frailing Style" of five string banjo playing. [5] Johnson is self taught in the Scruggs and Melodic style of bluegrass banjo playing. [6]
Maybelle learned to play the guitar at the age of thirteen by ear, never reading sheet music. [9] She relied on the example of her brothers and mother to learn playing techniques and traditional folk songs. [10] In the 1920s and 1930s, guitar was not yet a popular instrument in folk or country music.
Dan Crary (also known as Deacon Dan Crary) was born September 29, 1939, in Kansas City, Kansas, and is an American bluegrass guitarist. He helped re-establish flatpicked guitar as a prominent soloing bluegrass instrument. Crary is an innovator of the flatpicking style of guitar playing.
When he was 12 years old he saw Ralph Stanley perform and was inspired to learn the guitar and banjo. His father bought him his first guitar which cost $89.95. James worked for his father, at $1.25 an hour, to repay him for the instrument. He also found influence in the Carter Family, Flatt and Scruggs, and Bill Monroe.
He first picked up the banjo at the age of five and by age eight, he owned a guitar. Reno's musical approach was different than others in bluegrass at the time in that his was more innovative rather than traditional, injecting blues and jazz into his playing. As he wavered between guitar and banjo, he was a star on both.
Evans was a member of the bluegrass ensemble Bluegrass Intentions with Suzy Thompson (fiddle, Cajun accordion, vocals), Eric Thompson (mandolin, guitar, vocals), Larry Cohea (bass, vocals), and Alan Senauke (guitar, vocals). They released one album Old as Dirt on Evans's Native and Fine record label in 2002. [6] [7]
During their time together they released two albums which won them International Bluegrass Music Awards for Guitar Player of the Year and Bass Player of the Year in both 2001 and 2002. [4] Hurst has returned to play with Lynch for a brief time in 2015 when her guitarist Matt Wingate left her group.
Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Western classical music pieces are called ostinatos. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...