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The average length of each eclogue is 83 lines, and long and short poems alternate. Thus the 3rd eclogue in each half is the longest, while the 2nd and 4th are the shortest: [11] 1 – 83 lines 2 – 73 3 – 111 4 – 63 5 – 90 6 – 86 lines 7 – 70 8 – 108 9 – 67 10 – 77
Eclogue II (featuring an amoebaean song contest) and Eclogue VI (which relates to an aborted amoebaean song contest), providing a middle frame around Eclogue IV, corresponding to Virgil's Eclogues III and VII. [7] Poems with dialogue (Eclogues II, IV and VI) are interwoven with poems containing long monologues (Eclogues I, III, V and VII). [8]
The beginning of Virgil's Eclogues, 15th century manuscript, Vatican Library. An eclogue is a poem in a classical style on a pastoral subject. Poems in the genre are sometimes also called bucolics. The term is also used for a musical genre thought of as evoking a pastoral scene.
In 3.1, Meliboeus is mentioned briefly as the possible owner of a flock of sheep. In Eclogue 7 he appears herding sheep and goats, and he is the narrator who retells story of the contest between Corydon and Thyrsis. Eclogue 1.71 suggests that Meliboeus is portrayed as a full Roman citizen, not a slave. [21]
Virgil departs from Theocritus's Idyll 5 in the prizes offered, since in Idyll 5 the two participants eventually agree on a goat and a lamb as wagers. In Eclogue 3, Menalcas offers some beech-wood cups, which is a motif taken from Idyll 1, where a beautiful cup and its decoration is described at length.
The Cyclops, spurned by Galatea in favor of Acis, sings his charming and tender song, modeled on both Idyll XI and Eclogue II but drawn out to absurd length, and at the end suddenly announces that he is going to tear his rival Acis apart limb from limb. He proceeds to tear out a chunk of a mountain and hurls it at Acis, who is crushed (literally).
The scene is among the high mountain pastures of Sicily: On the sward, at the cliff top Lie strewn the white flocks; and far below lies the Sicilian sea. [2] Here Daphnis and Menalcas, two herdsmen of the golden age, meet, while still in their earliest youth, and contend for the prize of pastoral. [2]
Bucolicum carmen is an organic collection of twelve eclogues, composed by Petrarch from c. 1346–7 and published in 1357. [1] The last (Aggelos) contains the dedication of the sylloge to Donato Albanzani.