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The opening lines of the Eclogues in the 5th-century Vergilius Romanus. The Eclogues (/ ˈ ɛ k l ɒ ɡ z /; Latin: Eclogae [ˈɛklɔɡae̯], lit. ' selections '), also called the Bucolics, is the first of the three major works of the Latin poet Virgil. [1]
The beginning of Virgil's Eclogues, 15th century manuscript, Vatican Library. An eclogue is a poem in a classical style on a pastoral subject. Poems in the genre are sometimes also called bucolics. The term is also used for a musical genre thought of as evoking a pastoral scene.
In 3.1, Meliboeus is mentioned briefly as the possible owner of a flock of sheep. In Eclogue 7 he appears herding sheep and goats, and he is the narrator who retells story of the contest between Corydon and Thyrsis. Eclogue 1.71 suggests that Meliboeus is portrayed as a full Roman citizen, not a slave. [21]
Bucolicum carmen is an organic collection of twelve eclogues, composed by Petrarch from c. 1346–7 and published in 1357. [1] The last (Aggelos) contains the dedication of the sylloge to Donato Albanzani.
Eclogue 4, also known as the Fourth Eclogue, is a Latin poem by the Roman poet Virgil. The poem is dated to 40 BC by its mention of the consulship of Virgil's patron Gaius Asinius Pollio . The work predicts the birth of a boy, a supposed savior, who—once he is of age—will become divine and eventually rule over the world.
The Eclogues are two Latin hexameter poems in the bucolic style by Dante Alighieri, named after Virgil's Eclogues. The two poems are the 68-verse Vidimus in nigris albo patiente lituris and the 97-verse Velleribus Colchis prepes detectus Eous. They were composed between 1319 and 1320 in Ravenna, but only published for the first time in Florence ...
Eclogue II (featuring an amoebaean song contest) and Eclogue VI (which relates to an aborted amoebaean song contest), providing a middle frame around Eclogue IV, corresponding to Virgil's Eclogues III and VII. [7] Poems with dialogue (Eclogues II, IV and VI) are interwoven with poems containing long monologues (Eclogues I, III, V and VII). [8]
In Eclogue 5, he caps Mopsus's song about Daphnis with one of his own, and in 5.85–87 he claims to be the author of Eclogues 2 and 3, which he quotes by their first lines. In Eclogue 10, in the guise of a cowherd, he consoles the love-sick poet Cornelius Gallus , who is imagined to have retired to Arcadia .