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Pattachitra is thus a painting done on canvas, and is manifested by rich colourful application, creative motifs, and designs, and portrayal of simple themes, mostly mythological in depiction. [14] The traditions of pattachitra paintings are more than thousand years old.
Ram, Sita, Shib, Nandi-Vringi, Brahma, Vishnu, Shumbha-Nishumbha are painted on this kind of Chalchitra. Krishnanager Rajrajeshwari Durga is seen to be uniquely noticed. In the middle of the Chalchitra, there is Panchanan Shib and Parvati is beside him, on one side there is Dasha-mahabidya and the other side, there is Dashabatar .
Sita Devi (1914–2005) was an Indian artist, specializing in painting in the Madhubani tradition. She is one of the most well-known Madhubani artists from India, and was one of the first to receive national recognition for the art form, receiving a number of awards for her work including the Padma Shri (one of India's highest civilian honors) in 1981, as well as the Bihar Ratna Samman in 1984.
Sita Swayamvara (Maithili: सीता स्वंवर) is the swayamvara event, culminating in the wedding of the deities Rama and Sita, the protagonists of the Hindu epic Ramayana. The event was related to a competition among the kings in the Indian subcontinent to win the hand of the princess Sita of the Mithila Kingdom.
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
A painting of the temple's deities Rama, Sita, and Lakshmana in the Yogananda Narasimha temple, Bhadrachalam. The temple is divided into three parts. The first is believed to be the head of Bhadra, where a shrine is dedicated to him. [23] Inside, on a rock structure, the supposed footprints of Rama can be seen. [12]
Where the main subject of an artistic work - such as a painting - is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art - such as a painting on a vase.
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