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A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Self-Portrait or Portrait of an Old Man is an oil-on-canvas painting by El Greco, likely dating to between 1595 and 1600.The work's distinction as a self-portrait has been widely debated by scholars for over a century.
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
On the whole, Leyster's painting is similar to self-portraits by other women artists. In depicting herself at her easel with an unfinished painting, holding both a palette and a paintbrush, she creates a self-portrait that recalls Catharina van Hemessen 's 1546 self-portrait , as well as a self-portrait by Sofonisba Anguissola that dates to c ...
13.5 x 7.8 cm: Metropolitan Museum of Art, New York: The drawing is related to the etching B133 : Study for Drunk Lot: 1633: Black chalk on paper: 25.1 x 18.9 cm: Städel, Frankfurt am Main: Inscribed Rembrandt f. / 1633 Portrait of Saskia as a Bride: 1633: Silver pen on white-grounded parchment: 18.5 x 10.6 cm: Kupferstichkabinett Berlin
This self-portrait, in addition to its simply resplendent beauty, is a clear and articulate commentary on the Romantic artist. [2]Goya finds it unnecessary to look at the canvas while he paints; inspiration alone guides his brush.
Self-Portrait with Beret and Turned-Up Collar is a 1659 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt.It has been noted as a self-portrayal of subtle and somber qualities, a work in which may be seen "the stresses and strains of a life compounded of creative triumphs and personal and financial reverses".
Master of Frankfurt, Triptych of the Baptism of Christ, Oil and gold leaf on wood, 169.2 x 213.5 x 5.5 cm, Museu Nacional d'Art de Catalunya, MNAC. Attributed to the Master of Frankfurt, Holy Family with Music Making Angels , circa 1515, oil on panel, 156.2 cm × 155.9 cm (61.5 in × 61.4 in), Walker Art Gallery , Liverpool.