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  2. Sargam notes - Wikipedia

    en.wikipedia.org/wiki/Sargam_notes

    Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.

  3. Sargam (music) - Wikipedia

    en.wikipedia.org/wiki/Sargam_(music)

    Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.

  4. Tum Mile - Wikipedia

    en.wikipedia.org/wiki/Tum_Mile

    Tum Mile (English: I Met You) is a 2009 Indian Hindi-language romantic drama disaster film directed by Kunal Deshmukh, with the story concept by Vishesh Bhatt.The film stars Emraan Hashmi and Soha Ali Khan.

  5. Swaralipi - Wikipedia

    en.wikipedia.org/wiki/Swaralipi

    These two notes are known as achala swar ('fixed notes'). Each of the other five notes, Re, Ga, ma, Dha and Ni, can take a 'regular' ( shuddha ) pitch, which is equivalent to its pitch in a standard major scale (thus, shuddha Re , the second degree of the scale, is a whole-step higher than Sa), or an altered pitch, either a half-step above or ...

  6. List of film songs based on ragas - Wikipedia

    en.wikipedia.org/wiki/List_of_film_songs_based...

    Dil Apna Aur Preet Parai Dil Apna Aur Preet Parai: Shankar–Jaikishan: Lata Mangeshkar: Hindi: Bhairavi: Sheesha-e-Dil Itna Na Uchha Lo Dil Apna Aur Preet Parai: Shankar–Jaikishan: Lata Mangeshkar: Hindi: Bhairavi: Duniya Banane Wale Kya Tere Man Teesri Kasam: Shankar–Jaikishan: Mukesh (singer) Hindi: Bhairavi: Ek Dil Sau Afsane Ek Dil Sau ...

  7. Bhimpalasi - Wikipedia

    en.wikipedia.org/wiki/Bhimpalasi

    Since the scale has 5 notes ascending and all 7 descending, the resulting jāti is Audav–Sampūrṇa. [1] It is performed in the early afternoon, from 12:00 P.M. to 3:00 P.M. (the third prahar of the day). [4] Use of dhaivat and rishabh is symmetrical in that both are approached via the succeeding notes (D from Ṉ, and R from G̱).

  8. Puzzle solutions for Friday, Nov. 22, 2024

    www.aol.com/news/puzzle-solutions-friday-nov-22...

    Note: Most subscribers have some, but not all, of the puzzles that correspond to the following set of solutions for their local newspaper. CROSSWORDS

  9. Darbari Kanada - Wikipedia

    en.wikipedia.org/wiki/Darbari_Kanada

    In the avarohana the note Ga (gandhar) komal is used in a slow vibrato (andolan) on this note. Similarly, komal Dha is also used by Andolan. The Andolan of komal Ga and komal Dha add to the gravity of the raga. The association of the notes Ni and Pa sounds pleasing. Its Vadi swara is Re and Samavadi is Pa. arohana: S R (R)g, (R)g M P d n S'