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Town Bloody Hall is a 1979 documentary film of a panel debate between feminist advocates and activist Norman Mailer. [1] Filmed on April 30, 1971, in The Town Hall in New York City. Town Bloody Hall features a panel of feminist advocates for the women's liberation movement and Norman Mailer, author of The Prisoner of Sex (1971).
Clueless “Like the Jane Austen novel on which it’s based, Clueless is an undeniably feminist work. The beloved 1995 teen comedy from Amy Heckerling finds a worthy protagonist in Cher Horowitz ...
The interviewees talk about their experiences in the art world facing obstacles because of their gender. Many of the artists discuss the works they made as a result. The movie begins with a scene at the Whitney Museum of American Art, where Hershman asks people to name 3 women artists; very few can name more than Frida Kahlo. Hershman calls the ...
The post 30 Best Feminist Movies to Watch for Women’s History Month appeared first on Reader's Digest. From action to comedy, these are the feminist movies you need to watch, featuring smart ...
[7] [8] It describes how the women's movement linked to other movements in the United States such as the civil rights movement, the antiwar movement, and the New Left. [9] Also featured in the documentary are the authors of the landmark feminist book Our Bodies, Ourselves and ex-members of the underground abortion organization the Jane ...
Movie rating: PG-13 Thanks to her strict parents, who’ve forbidden her from playing soccer because of her gender, 18-year-old Jesminder (Nagra) must sneak behind their backs to play on the women ...
If These Walls Could Talk 2 is a 2000 American television film broadcast on HBO.It is a sequel to the 1996 HBO film If These Walls Could Talk and is likewise a female-centered anthology film, with three separate segments all set in the same house within three different decades of the 20th century.
Born in Flames is a 1983 American utopian/dystopian docufiction drama film directed, produced and co-written by radical intersectional feminist Lizzie Borden. [1] The film explores racism, classism, sexism and heterosexism in an alternate socialist democratic United States. [2]
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