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Musée du Louvre, Paris: 170: Rembrandt and workshop? Adaption of an earlier self-portrait ... A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings ...
Le Boeuf écorché, Louvre; The slaughtered ox Archived 2018-05-29 at the Wayback Machine, Rembrandt database; A Corpus of Rembrandt Paintings V: The Small-Scale History Paintings, 2011., edited by Ernst van de Wetering, p. 551-562; Rembrandt van Rijn, 1606-1669, Carcass of Beef (Flayed Ox), 1655 Archived 2017-05-03 at the Wayback Machine, Don Gray
Philosopher in Meditation, recently renamed Philosopher in Contemplation by the museum, is the traditional title of an oil painting in the Musée du Louvre, Paris, that is attributed to the 17th-century Dutch artist Rembrandt.
Louvre, Paris Supper at Emmaus or The Pilgrims at Emmaus is a 1648 oil on mahogany panel painting by Rembrandt . [ 1 ] It depicts the Gospel story of the resurrected Jesus 's appearance in Emmaus .
The Archangel Raphael Leaving Tobias' Family is a 1637 oil-on-panel painting by Rembrandt, now in the Louvre, in Paris, France. [1] The painting depicts a scene from the Book of Tobit, in which the archangel Raphael departs after guiding Tobias on his journey and helping to cure the blindness of his father, Tobit.
The current joined ownership is a new arrangement for the Louvre and Rijksmuseum, and it remains to be seen whether this experiment in international art purchasing will fit into exhibition plans of both institutions. Unlike many expensive paintings, these two will not be restricted by location and it is expected that they will be on tour regularly.
Bathsheba at Her Bath (or Bathsheba with King David's Letter) is an oil painting by the Dutch artist Rembrandt (1606–1669), finished in 1654.. A depiction that is both sensual and empathetic, it shows a moment from the Old Testament story related in 2 Samuel 11 in which King David sees Bathsheba bathing and, entranced, impregnates her. [1]
The drawing is related to the painting W206 : Study for the Painting of St. John the Baptist Preaching: c. 1633-1634: pen, brown ink and brown wash with white heightenings: 14.5 × 20.4 cm: Musée du Louvre, Paris: The drawing is related to the painting W110 : The Preaching of St. John the Baptist: c. 1633-1634?? Private collection
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