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Writers of the Decadent movement used the slogan "Art for Art's Sake" (L'art pour l'art), the origin of which is debated. Some claim that it was created by the philosopher Victor Cousin, although Angela Leighton notes that it was used by Benjamin Constant as early as 1804 in the work On Form: Poetry, Aestheticism and the Legacy of a Word (2007 ...
It examines topics such as art works, aesthetic experience, and aesthetic judgment. [15] Aesthetic experience refers to the sensory contemplation or appreciation of an object (not necessarily a work of art), while artistic judgment refers to the recognition, appreciation or criticism of art in general or a specific work of art. In the words of ...
In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. [a] An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance. [1]
An history of aesthetics; The Concept of the Aesthetic; Aesthetics entry in the Routledge Encyclopedia of Philosophy; Philosophy of Aesthetics entry in the Philosophy Archive; Washington State Board for Community & Technical Colleges: Introduction to Aesthetics; Art Perception Complete pdf version of art historian David Cycleback's
There is no one word to combine "artistic" and "aesthetic," unfortunately, but "artistic" refers to the production, the doing and making, and "aesthetic" to appreciating, perceiving, and enjoying. For a work to be art, it must also be aesthetic. The work of the artist is to build an experience that will be experienced aesthetically.
Art criticism is the discussion or evaluation of art. [78] [79] [80] Art critics usually criticize art in the context of aesthetics or the theory of beauty. [79] [80] A goal of art criticism is the pursuit of a rational basis for art appreciation [78] [79] [80] but it is questionable whether such criticism can transcend prevailing ...
The work most crucial to aesthetics as a strand of philosophy is the first half of his Critique of the Power of Judgment, the Critique of the Aesthetic Power of Judgment. It is subdivided in two main parts - the Analytic of the Beautiful and the Analytic of the Sublime, but also deals with the experience of fine art.
Aesthetics can also be used as a synonym to define taste or style [3] encapsulating artistic expression and activities such as rhetoric, tone, harmony, painting, composition art and music. [4] Aesthetics also encapsulates the look, feel, or sound of natural forms. [4] Aesthetics also encompasses the science of how an individual or a society ...