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Possible sanxian (left) and pipa, from a 762-827 A.D. painting in the Mogao caves near Dunhuang―Grotto 46 Left interior wall, second panel. Also called cave 112. It has been suggested that sanxian, a form of spike lute, may have its origin in the Middle East, and older forms of spike lute were also found in ancient Egypt. [1]
The ruan (Chinese: 阮; pinyin: ruǎn) is a traditional Chinese plucked string instrument. It is a lute with a fretted neck, a circular body, and four strings. Its four strings were formerly made of silk but since the 20th century they have been made of steel (flatwound for the lower strings). The modern ruan has 24 frets with 12 semitones on ...
The qinqin (秦 琴; pinyin: qínqín; Vietnamese: Đàn sến [1]) is a plucked Chinese lute. It was originally manufactured with a wooden body, a slender fretted neck, and three strings. [2] Its body can be round, [3] hexagonal (with rounded sides), or octagonal.
The yueqin (Chinese: 月琴; pinyin: Yuèqín; Japanese: 月琴, romanized: Gekkin; Korean: 월금/月琴, romanized: Wolgeum; Vietnamese: Nguyệt cầm or Vietnamese: Đàn nguyệt), also called a moon lute or moon guitar, is a traditional Chinese string instrument. It is a lute with a round, hollow soundboard, a short fretted neck, and ...
Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty , and although historically the term pipa was once used to refer to a variety of plucked chordophones , its usage since the Song dynasty refers exclusively to ...
Nodes for the 3rd string are indicated by Arabic numerals, for the 2nd string by Chinese numerals, and for the 1st string by Chinese numerals preceded by イ. Horizontal shamisen tablature, read from left to right. Similar to guitar tablature, three horizontal lines represent the strings of the shamisen. Nodes are represented by Arabic numerals ...
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Zhou Yi (Chinese: 周 懿; pinyin: Zhōu Yì) is a Chinese pipa player.. Praised for her “breathtaking” meticulous technique and expressiveness by the Washington Post (Stephen Brookes, August 2013), New York-based pipa (Chinese lute) and qin (Chinese zither) soloist Zhou Yi (pronounced “Jo-E”) was born in Shanghai, China.