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Xu Bing (Chinese: 徐冰; pinyin: Xú Bīng; born 1955) is a Chinese artist who served as vice-president of the Central Academy of Fine Arts.He is known for his printmaking skills and installation art, as well as his creative artistic use of language, words, and text and how they have affected our understanding of the world.
Title page of Book from the Sky, in pseudo-Chinese characters.The characters “天書” do not appear anywhere in the book. A Book from the Sky (simplified Chinese: 天书; traditional Chinese: 天書; pinyin: Tiānshū) is a book produced by Chinese artist Xu Bing in the style of fine editions from the Song and Ming dynasties, but filled entirely with meaningless glyphs designed to resemble ...
Art and China after 1989: Theater of the World is an exhibition that took place at Solomon R. Guggenheim Museum in New York between October 6, 2017 – January 7, 2018. The exhibition presents works by seventy-one artists and artist collectives across China and worldwide, who define contemporary experience in and of China. [ 1 ]
The Art and Methodology of Xu Bing (Taipei: The Elite Corporation, 2003). In Chinese and English; The Wall: Reshaping Contemporary Chinese Art (New York and Beijing: The Albright Knox Art Gallery and China Millennium Museum of Art, 2005) The No Name: A History of A Self-Extled Avant-Garde (Beijing: Guangxi Normal University Press, 2007)
18 July – The subterranean Chichu Art Museum on the Japanese island of Naoshima, designed by Tadao Ando, opens. 11 December – İstanbul Modern is established in Turkey. The country's first modern art museum, the Doğançay Museum, opened earlier in the year, also in Istanbul; it is dedicated to the artistic legacy of Burhan Doğançay.
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Yishu: Journal of Contemporary Chinese Art is the first English-language journal specializing in Chinese art and culture. [ 1 ] [ 2 ] [ 3 ] Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books.
Wu Shanzhuan, and other guannian artists, like Xu Bing, fixated on the revolution in ideas itself to elaborate on their concept of an anti-art project. The works of these artists were expected to be understood by viewers, and to be objects of byproducts. 1980s art can be partially comprehended as part of a project of dematerializing art-making ...
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