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Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
The next earliest example is by an anonymous author, probably of the 1st century BCE, lamenting the death of Bion; this poem has sometimes been attributed to the Hellenistic poet Moschus. [ 8 ] Virgil's "Eclogue 5," written in the 1st century BCE, is the most imitated ancient model of the pastoral elegy.
The poet, known for works in celebration of wine, choked to death on a grape stone according to Pliny the Elder. [13] [14] [16]: 104 The 1911 Encyclopædia Britannica suggests that "the story has an air of mythical adaptation to the poet's habits". [17] Heraclitus of Ephesus: c. 475 BC
[15]: 95 To judge by what I now endure, the hand of death grasps me sharply." [11]: 140 [15]: 95 — Salvator Rosa, Italian artist and poet (15 March 1673), when asked how he was "Death is the great key that opens the palace of Eternity." [76] — John Milton, English poet and intellectual (8 November 1674) Death of the Viscount of Turenne.
It was published in Germany around 1470 as a guide to how to meet Death and avoid the temptations (Impatience, Pride, Avarice, etc.) that would consign a soul to purgatory or, worse, to hell. The Funeral Oration ( Halotti beszéd ) is the oldest extant record of the Hungarian language , dating back to 1192–1195.
Other notable examples of the consolatio tradition from Antiquity: Pontus 4.11 in Ovid's Letters from the Black Sea, Statius’ poem consoling Abascantus on his wife’s death, Apollonius of Tyana, the Emperor Julian, and Libanius. Libanius was also the author of the funeral orations consoling mourners after the death of the Emperor Julian.
At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's "Elegy Written in a Country Churchyard", Thomas Parnell's "Night-Piece on Death", Robert Blair's The Grave and Edward Young's Night-Thoughts. At its broadest, it can describe a host of poetry and prose works popular in the early and mid-eighteenth century.