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A thangka (Nepali pronunciation: [ˈt̪ʰaŋka]; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of ...
A wood block is engraved with the painting outline before printed onto the canvas. This simplifies the painting process and gives special effects. The metal thangka, whose durability and foldable concept was to serve travelling needs. The Papier-mâché thangka which is unique for the three-dimensional appearance of the central picture.
Khandu Wangchuk Bhutia is an India thangka painter from the Sikkim, known for his exquisite creative works in the Thangka style of painting. Thangka is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted ...
Large shrine statue of Maitreya, Thiksey Monastery, Ladakh, 1970. The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, [1] Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood.
Generally, Thangka paintings fall into two categories: painted (palas) and silk-made. While Thangka can be used as educational aids of Buddha to illustrate historical events to related lamas, Thangka are also used as a centrepiece in meditation rituals and worshipers’ rituals. Most Thangka paintings were crafted by monks, who acquired merits ...
Most Tibetan Buddhist monasteries, temples and other religious structures in the Himalayas were decorated with Tibetan Buddhist wall paintings. Despite much destruction in Tibet itself, many of these survive, the dry climate of the Tibetan plateau assisting their survival, as the wet Indian climate has reduced survival of paintings from there.
The Tibetan equivalent is known as Thangka. [2] [3] The main difference between Thangka and Paubha is that Thangka is exclusive to Buddhist art, while paubha is used in both Hindu and Buddhist art traditions by the Newar community. [4] The traditional painters of paubhas are the Chitrakar caste who are known as Pun (पुं) in Nepal Bhasa. [5]
The museum aims to generate awareness about the Buddhist art through contemporary quality thangka works based on the tradition carried forward by Indian and Tibetan masters. This museum is a window to the 2,300 years old journey of the tradition of Buddhist paintings and the evolution of art through ages and geographies.
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