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In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state terror" – claiming that the road to virtue lay through political violence. This film combines drama, archive and documentary interviews to examine Robespierre's year in charge of the Committee of Public Safety – the powerful state machine at ...
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The Cult of the Supreme Being (French: Culte de l'Être suprême) [note 1] was a form of theocratic deism established by Maximilien Robespierre during the French Revolution as the intended state religion of France and a replacement for its rival, the Cult of Reason, and of Roman Catholicism.
Fouché tips his hat to Robespierre, but Barras sees book being passed from hand to hand among the delegates while Robespierre denounces Barras in a speech. Meanwhile, D'Aubigny searches Robespierre's office and the Sergeant takes her to a hidden room. Robespierre concludes his speech and is shocked to find himself denounced and pursued by the mob.
Maximilien de Robespierre was baptised on 6 May 1758 in Arras, Artois. [a] His father, François Maximilien Barthélémy de Robespierre, a lawyer, married Jacqueline Marguerite Carrault, the daughter of a brewer, in January 1758. Maximilien, the eldest of four children, was born four months later.
The arrest of Maximilien Robespierre and his allies showing at the centre of the image gendarme Merda firing at Robespierre (colour engraving by Jean-Joseph-François Tassaert after the painting by Fulchran-Jean Harriet, Carnavalet Museum) Other policies aimed at supporting the poor included price controls enacted by the Mountain in 1793.
Voices are raised against Robespierre and Saint-Just. Jean-Lambert Tallien (Jean Gaudrey) threatens Robespierre with a knife. Violine decides not to shoot Saint-Just with a pistol she brought. Back at the archives, the prison clerks are given new dossiers on those to be executed by guillotine: Robespierre, Saint-Just and Couthon.
The book was Buonarroti's final publication before his death and was remarkable in its time for its positive view of Robespierre's actions. Buonarroti went so far as to characterize Robespierre as next in a long line of heroic succession that included historical and legendary figures such as Moses, Pythagoras, Jesus Christ, and Mohammed.