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The Jacobean east wing of Crewe Hall, Cheshire, built in 1615–36 Bank Hall, Bretherton, built in 1608. Reproductions of the Classical orders had already found their way into English architecture during the reign of Queen Elizabeth I, frequently based upon John Shute's The First and Chief Grounds of Architecture, published in 1563, with two other editions in 1579 and 1584.
Even familiar materials, such as wood and silver, were worked more deeply in intricate and intensely three-dimensional designs. [13] The goldsmith George Heriot made jewellery for Anne of Denmark. [14] Architecture in the Jacobean era was a continuation of the Elizabethan style with increasing emphasis on classical elements like columns and ...
Ammonia fuming is a wood finishing process that darkens wood and brings out the grain pattern. It consists of exposing the wood to fumes from a strong aqueous solution of ammonium hydroxide which reacts with the tannins in the wood. The process works best on white oak because of the high tannin content of this wood.
Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [3] and the same idea of decoration peeps out in fan-like frills at every spare corner of the Neo-Jacobean revival of the style. These shell forms of furniture might befit an oceanside home, but they ...
Staircases became wide and elaborate, and normally made of oak; Burghley and Hardwick are exceptions using stone. [22] The new concept of a large long gallery was an important space, [ 14 ] and many houses had spaces for entertaining on the top floor, whether small rooms in towers on the roof, or the very large top-floor rooms at Hardwick and ...
Turned chair, in the Bishop's Palace, Wells, Somerset, England (Early 17th century). Turned chairs – sometimes called thrown chairs or spindle chairs – represent a style of Elizabethan or Jacobean turned furniture that were in vogue in the late 16th and early 17th century England, New England and Holland.
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