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In Kirk Wong's 1988 gangster film Gunmen, set in 1930s Shanghai, the protagonist wears a flowing Chinese robe similar to Leone's dusters. [6] Director John Woo's 1986 A Better Tomorrow, featured Chow Yun Fat's character, nicknamed Brother Mark, wearing a duster. Following the film's release, many teenagers in Hong Kong came to wear dusters in ...
A dressing gown or a housecoat is a loose, open-fronted gown closed with a fabric belt that is put on over nightwear on rising from bed, or, less commonly today, worn over some day clothes when partially dressed or undressed in the morning or evening (for example, over a man's shirt and trousers without jacket and tie).
A bathrobe is considered to be very informal clothing, and is not worn with everyday clothes. A bathrobe is a dressing gown made from towelling or other absorbent fabric and may be donned while the wearer's body is wet, serving both as a towel and a body covering when there is no immediate need to fully dress.
A pair of ruby slippers worn by Judy Garland in the 1939 classic “The Wizard of Oz” sold at auction Saturday for $28 million. In an email sent to CBS News, Robert Wilonsky, vice president of ...
Just in time for Wicked, a historic piece of Wizard of Oz memorabilia is going up for auction. A pair of Judy Garland’s iconic ruby slippers from the 1939’s The Wizard of Oz is being auctioned ...
Leather slippers, between 1795 and 1805. During this time period, women's clothing was much thinner than in the eighteenth century so warmer outerwear became important in fashion, especially in colder climates. Coat-like garments such as pelisses and redingotes were popular, as were shawls, mantles, mantelets, capes, and cloaks.
A leather jacket is a jacket-length coat that is usually worn on top of other apparel or item of clothing, and made from the tanned hide of various animal skins. The leather material is typically dyed black, or various shades of brown, but a wide range of colors is possible.
Young Italian men wear brimless caps, The Betrothal, c. 1470 [1] As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect.
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