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Christ I (also known as Christ A or (The) Advent Lyrics) is a fragmentary collection of Old English poems on the coming of the Lord, preserved in the Exeter Book. In its present state, the poem comprises 439 lines in twelve distinct sections.
Apple trees were commonly grown in England and there was an old English tradition of wassailing or wishing health to apple trees on Christmas Eve. [4] The song is now performed by choirs around the world, especially during the Christmas season as a Christmas carol. [5]
The volume contains 12 poems, five of which were previously published. Critic Richard Long called two of the previously published poems, "On the Pulse of Morning" and "A Brave and Startling Truth", Angelou's "public" poems. [1] She read "On the Pulse of Morning", her most famous poem, at the inauguration of President Bill Clinton in 1993. [2]
The O Antiphons (also known as the Great Advent Antiphons or Great Os) are antiphons used at Vespers during the Magnificat on the last seven days of Advent in Western Christian traditions. [1] They likely date to sixth-century Italy, when Boethius refers to the text in The Consolation of Philosophy . [ 2 ]
"Come, Thou Long Expected Jesus" is a 1744 Advent and Christmas carol common in Protestant hymnals. The text was written by Charles Wesley.It is performed to one of several tunes, including "Stuttgart" (attr. to Christian Friedrich Witt), [1] "Hyfrydol" (by Rowland Prichard), [2] and "Cross of Jesus" (by John Stainer).
Little Gidding is the fourth and final poem of T. S. Eliot's Four Quartets, a series of poems that discuss time, perspective, humanity, and salvation.It was first published in September 1942 after being delayed for over a year because of the air-raids on Great Britain during World War II and Eliot's declining health.
Poems of the Imagination (1815–1843); Miscellaneous Poems (1845–) 1798 Her eyes are Wild 1798 Former title: Bore the title of "The Mad Mother" from 1798–1805 "Her eyes are wild, her head is bare," Poems founded on the Affections (1815–20); Poems of the Imagination (1827–32); Poems founded on the Affections (1836–) 1798 Simon Lee 1798
The later hymn "Veni Creator Spiritus" borrows two lines from the hymn (Infirma nostri corporis — Virtute firmans perpeti). "Veni redemptor gentium" was particularly popular in Germany where Martin Luther translated it into German as "Nun komm, der Heiden Heiland," which then he, or possibly Johann Walter, set as a chorale, based on the original plainchant. [3]