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Inside, the intrados of the great triumphal arch is decorated with fifteen mosaic medallions, depicting Jesus Christ, the twelve Apostles and Saints Gervasius and Protasius, the sons of Saint Vitale. The theophany was begun in 525 under bishop Ecclesius. It has a great gold fascia with twining flowers, birds, and horns of plenty.
Inside Out is a 2015 American animated coming-of-age film produced by Pixar Animation Studios for Walt Disney Pictures. It was directed by Pete Docter from a screenplay he co-wrote with Meg LeFauve and Josh Cooley.
Vitalis is honoured as the principal patron saint of the city of Ravenna. [4]The feast day of Saint Vitalis is 28 April. [5] Churches are dedicated in honor of Saint Vitalis at Assisi, and Rome, in Italy and at Jadera (now Zadar) in Dalmatia (now Croatia), but by far the most famous church bearing his name is the octagonal Basilica of San Vitale at Ravenna, a masterpiece of Byzantine art ...
What happens in the end credit scene in ‘Inside Out 2’? In the film, Riley attends hockey camp ahead of starting high school. As the credits begin to roll, Riley and her parents sit down at ...
When will "Inside Out 2" be available via streaming? While there has not been a release date on the streaming service, Pixar president Jim Morris told Bloomberg that the film will have a 100-day ...
The imperial basilica of San Vitale al Quirinale, built under the pontificate of Pope Siricius after 386 and consecrated and richly decorated by Pope Innocent in 402 (Luigi Hutter and Vincenzo Golzino) is the first public Christian basilica with a baptistery (still not found) not founded on pre-existing pagan temples, mentioned in the Liber ...
By analogy with the static function of the pulvino on a column, it is also attributed to certain structural elements that have the function of distributing a load from a superimposed structure with higher mechanical resistance characteristics, to a lower structure with lower specific resistance and, therefore, dimensioned in such a way as to reduce the unitary stresses to admissible values.
The construction, including barrel and groin vaults and an octagonal cloister-vault in the dome, reflects late Roman, or Pre-Romanesque, practices rather than the Byzantine techniques employed at San Vitale, and its plan simplifies the complex geometry of the Ravenna building. Multi-coloured marble veneer is used to create a sumptuous interior.
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