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A flatback octave mandolin. The octave mandolin (US and Canada), termed the octave mandola in Britain and Ireland and mandola in continental Europe, is tuned an octave below the mandolin: G 2 –D 3 –A 3 –E 4. Its relationship to the mandolin is that of the tenor violin to the violin, or the tenor saxophone to the soprano saxophone. Octave ...
The flatback instrument was the result of a corroboration between an Italian luthier and an Algerian musician and was used initially for Chaabi. It has since spread to other music forms. Prominent players today include Mohamed Rouane, Takfarinas, Mohamed Abdennour (P'tit Moh), and Abderrahmane Abdelli.
Even as the second wave of mandolin popularity declined in the early 20th century, players began using new versions of the mandolin in new forms of music. [62] Luthiers created the resonator mandolin, the flatback mandolin, the carved-top or arched-top mandolin, the mandolin-banjo and the electric mandolin.
Fretted stringed instrument, short-necked, 4 courses/8 strings or 5 courses/10 strings or 6 courses/12 strings. Flat soundboard and flatback. mandolin [10] bandolim Europe, has spread worldwide 321.322 Fretted stringed instrument, short-necked, the types belonging to this category have a flat, carved, or canted soundboard and flat or carved ...
Avi Avital playing mandolin in St. Florian Monastery. Avi Avital (Hebrew: אבי אביטל, born 19 October 1978) is an Israeli mandolinist.He is best known for his renditions of well-known Baroque and folk music, much of which was originally written for other instruments.
It is a guitar sized instrument, resembling a flatback mandolin with 18 strings, arranged in 6 courses, three strings per course, and played with a pick. [1] [2] It is associated with the típica orquestra (typical orchestra) in Mexico, especially the 1884 Orquesta Típica Mexicana (Mexican Typical Orchestra), first organized by Carlo Curti. [3]
His earliest known instrument was a 10-string mandolin-guitar, which bears the date 1894. [2] Gibson's mandolins were "unlike any previous flatback instrument," according to music historian Paul Sparks. His company's manufacturing standards were very high, and his instruments heavily marketed.
The Pagani model was also one of the few eight-string mando-basses made in the US, with four double-strung courses like the European tremolo bass. Vega produced both a flat-back and a humped-back mando-bass (known as a "cylinder back"), both with a generally mandolin-shape in outline, but with markedly pointed upper bouts.
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