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The song's lyrics implicitly blame American politicians, high-level military officers, and industry corporations on starting the Vietnam War. McDonald composed "I-Feel-Like-I'm-Fixin'-to-Die Rag" in the summer of 1965, just as the U.S.'s military involvement was increasing, and was intensively opposed by the young generation. [6]
In 2003 McDonald was sued for copyright infringement over his signature song, specifically the "One, two, three, what are we fighting for?" chorus part, as derived from the 1926 early jazz classic "Muskrat Ramble", co-written by Kid Ory. The suit was brought by Ory's daughter Babette, who held the copyright at the time.
"One, Two, Three, Four, Five" is one of many counting-out rhymes. It was first recorded in Mother Goose's Melody around 1765. Like most versions until the late 19th century, it had only the first stanza and dealt with a hare, not a fish: One, two, three, four and five, I caught a hare alive; Six, seven, eight, nine and ten, I let him go again. [1]
The original version was known as "Fight, Eagles, Fight," something that was changed in the newer lyrics. It was designed to be Philadelphia's version of Washington's song, which is now known as ...
In France, the video won Music Video of the Year at the Victoires de la Musique. Time magazine named "1234" one of The 10 Best Songs of 2007, ranking it at number two after "Rehab" by Amy Winehouse. Writer Josh Tyrangiel called the song a “masterpiece”, praising Feist for singing it “with a mixture of wisdom and exuberance that's all her ...
Twenty-one, change the gun; Twenty-two, the partridge flew; Twenty-three, she lit on a tree; Twenty-four, she lit down lower…. Twenty-nine, the game is mine; Thirty, make a kerchy. Some of the final lines Bolton's informant could no longer remember. [3] In the UK the rhyme was first recorded in Songs for the Nursery, published in London in ...
"1-2-3" is a 1965 song recorded by American blue-eyed soul singer Len Barry, who co-wrote it with John Madara and David White (the latter two produced the recording). The recording's chorus and accompaniment were arranged by Jimmy Wisner. The single was released in 1965 on the American Decca label. [1]
tone, writing the song. The busy signal became the opening notes. A better-known cover version, recorded by Three Dog Night, reached number five on the U.S. Billboard Hot 100 [4] in 1969 and number four in Canada. In 1969, the song was also recorded by Australian pop singer Johnny Farnham, reaching number four on the Go-Set National Top 40 ...