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Spectrophobia (derived from Latin: spectrum, n. specio, an appearance, form, image of a thing; an apparition, spectre) or catoptrophobia (from Greek κάτοπτρον kátoptron, "mirror") is a kind of specific phobia involving an abnormal and persistent fear of mirrors, and an anxiety about seeing one's own face reflected in them. [1]
Objects don’t have feelings, but some people treat them like they do. It’s called anthropomorphizing, and it’s natural to do to objects and animals, experts say.
One period of time in a woman's life where self-objectification happens excessively is during pregnancy. Magazines offer pictures of pregnant celebrities with golden skin, toned legs, and a perfectly rounded, "cute" pregnant belly. The photo-editing makes it seem real, and people start to think that is how they ought to look when they are pregnant.
Submechanophobia (from Latin sub ' under '; and from Ancient Greek μηχανή (mechané) ' machine ' and φόβος (phóbos) 'fear') is a fear of submerged human-made objects, either partially or entirely underwater.
The experts weigh in on whether or not ghosts are real, hauntings, paranormal activity, ... get scared or fearful. Most of the time people will recognize, ‘Oh, I feel like my grandmother was ...
In vivo exposure: This is a technique whereby patients are instructed to directly face a feared object, situation, or activity in real life. Those with thalassophobia are often instructed to enter the water at beaches, lakes, or ponds. The downside of in vivo exposure is that participants have high dropout rates and poor treatment acceptance ...
Billboards and other electronic signs use apparent motion to simulate moving text by flashing lights on and off as if the text is moving.. The term illusory motion, or motion illusion or apparent motion, refers to any optical illusion in which a static image appears to be moving due to the cognitive effects of interacting color contrasts, object shapes, and position. [1]
That’s not the only reason people didn’t smile for photos, though. For one, it took several hours (or days!) for cameras to capture the photograph in the first place.