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From 1959 to 2011, the Award was called Best Instrumental Jazz Album, Individual or Group. In 2012, it was shortened to Best Jazz Instrumental Album, encompassing albums that previously fell under the categories Best Contemporary Jazz Album and Best Latin Jazz Album (both defunct as of 2012). [1]
Jazz noir (also known as "doom jazz" or "dark jazz") is noted for its often somber, mysterious or even sinister tone. It takes inspiration from film noir soundtracks and dark ambient music. [4] 1990s -> Nu jazz [5] Music that blends jazz elements with other musical styles, such as funk, soul, electronic dance music, and free improvisation. 1990s ->
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm.Often "peaceful" sounding and lacking composition, beat, and/or structured melody, [5] ambient music uses textural layers of sound that can reward both passive and active listening, [6] and encourage a sense of calm or contemplation.
Chill-out (shortened as chill; also typeset as chillout or chill out) is a loosely defined form of popular music characterized by slow tempos and relaxed moods. [1] [2] The definition of "chill-out music" has evolved throughout the decades, and generally refers to anything that might be identified as a modern type of easy listening.
His music is also called contemporary instrumental [3] and has been described as "an instrumental blend of fusion-jazz, world music, classical, and soft rock." [ 5 ] However, at least as early as 1988, Yanni was said to shun labels such as "Greek" and "new age," emphasizing that "when someone says new age music, I think of something that you ...
New Blue Sun received positive reviews from music critics and was nominated for Album of the Year and Best Alternative Jazz Album at the 67th Annual Grammy Awards, and the opening track, "I Swear, I Really Wanted to Make a 'Rap' Album but This Is Literally the Way the Wind Blew Me This Time", was nominated for Best Instrumental Composition. [2]
Jazz from Hell is an instrumental album whose selections were all composed and recorded by American musician Frank Zappa. It was released in November 1986, by Barking Pumpkin Records on vinyl and cassette , and in 1987 by Rykodisc on CD.
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
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