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Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Multiple terms have been proposed to describe the native inhabitants of Eastern Indonesia.“Papuans” (Indonesian: Orang Papua) is the preferred term (especially in Indonesian and English) for inhabitants of New Guinea, since it is based on actual native nomenclature used by as recorded in several ancient native evidences.
Picture of Topeng dance performance accompanied by gamelan in Damar Wulan Manuscripts, 1770-1795 AD. A collection of the British Library. Topeng (from Balinese: ᬢᭀᬧᬾᬂ; Javanese: ꦠꦺꦴꦥꦺꦁ, romanized: topèng; [1] Sundanese: ᮒᮧᮕᮨᮔᮌ) is a dramatic form of Indonesian dance in which one or more mask-wearing ornately costumed performers interpret traditional ...
Papuan Malay or Irian Malay is a Malay-based creole language spoken in the Indonesian part of New Guinea.It emerged as a contact language among tribes in Indonesian New Guinea (now Papua, Central Papua, Highland Papua, South Papua, West Papua, and Southwest Papua) for trading and daily communication.
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
Colossal Yapong dance Hundreds of dancers demonstrate the yapong dance. The pattern in the clothes worn by the dancers is a development of the Betawi mask dancer clothes. This can be seen clearly from the shape and decoration of the headgear and the sash worn on the chest, which is called the toka-toka.
In general, the Yali are split into two groups, Yali (mo) and Yali Mek, which live in Yalimo Regency and Yahukimo Regency, respectively.They also speak two different languages, the first one related to the Dani in the Ngalik-Nduga subfamily, [2] the other one related to the Mek.
Kecak (Balinese: ᬓᬾᬘᬓ᭄, romanized: kécak, pronounced "kechak"), alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s.