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6 Is this a navbox for English Bible translations, or Christian English Bible translations
The first translation of the whole Old and New Testament into Quechua, but without deuterocanonicals, was published in 1986 in Bolivian Quechua. [28] In the Ayacucho Region, the Quechua pastor and translator Rómulo Sauñe Quicaña was the first to give way to a whole Bible translation in Peru, which appeared 1987 in Ayacucho Quechua. [29]
Citations in the APA style add the translation of the Bible after the verse. [5] For example, (John 3:16, New International Version). Translation names should not be abbreviated (e.g., write out King James Version instead of using KJV). Subsequent citations do not require the translation unless that changes.
(say, for example, Church A only believes in Translation A of the bible, when citing the bible in articles about them, it would be best to link to that translation of the book.). Anyways, just my two cents. -Superbeatles 15:40, 22 June 2006 (UTC) Well, this is precisely the issue...
The Evangelical Heritage Version (EHV) is a translation of the Bible into the English language. The translation project was called The Wartburg Project and the group of translators consisted of pastors, professors, and teachers from the Wisconsin Evangelical Lutheran Synod (WELS) and Evangelical Lutheran Synod (ELS), both based in the United States.
There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer; Various twentieth century derivatives, including Banjo dulcimer, with banjo-like resonating membrane
Page from Codex Sinaiticus with text of Matthew 6:4–32 Alexandrinus – Table of κεφάλαια (table of contents) to the Gospel of Mark. The great uncial codices or four great uncials are the only remaining uncial codices that contain (or originally contained) the entire text of the Bible (Old and New Testament) in Greek.
Paul Gifford and Karl-Heinz Schickhaus have researched the salterio in 18th century Italy; there are instruments with up to eight strings per course (i.e. 8 strings tuned to the same note and played all together, like a 12-string guitar or the middle and upper notes of a piano), made in places like Venice, Florence, Brescia, Milan, and Triente [citation needed], and signed by ten different makers.