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Maenads are the adopted symbol of Tetovo in North Macedonia, depicted prominently of the city's coat of arms. The inclusion of maenad imagery dates to 1932 when a small statuette of a maenad, dating to the 6th century BC, was found in the city. The "Tetovo Maenad" was featured on the reverse of a Macedonian 5000 denar banknote issued in 1996. [45]
A drinking cup, c. 490–480 B.C., depicting a maenad and a satyr.. The satyr play is a form of Attic theatre performance related to both comedy and tragedy.It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes.
In Greek mythology, a satyr [a] (Ancient Greek: σάτυρος, romanized: sátyros, pronounced), also known as a silenus [b] or silenos (Ancient Greek: σειληνός, romanized: seilēnós [seːlɛːnós]), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection.
Furthermore, the outwardly facing satyr invites the viewer to become a participant in the scene of dancing maenads, which were similar to girls who could be seen dancing at a party. [3] The gaze of the outwardly facing figure is a classic example of breaking the fourth wall , and the gaze often urges the viewer to share the figure's emotion.
Satyr is one of many species of mutated creatures found on Earth in Roger Zelazny's 1966 Hugo award winning novel This Immortal. Satyrs appear in the Italian fairy tale Costanza / Costanzo by Giovanni Francesco Straparola. The protagonist, Costanzo, catches a satyr for the king. The satyr is able to reveal Costanzo's true identity as a woman.
An "unspoken" sparagmos may have been the central element underlying the very genre of Greek tragedy. [1] [2] Maenads and Pentheus, House of the VettiiSparagmos (Ancient Greek: σπαραγμός, from σπαράσσω sparasso, "tear, rend, pull to pieces") is an act of rending, tearing apart, or mangling, [3] usually in a Dionysian context.
Articles relating to the Maenads, the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae, or Bacchantes in Roman mythology, after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin.
Cyclops (Ancient Greek: Κύκλωψ, Kyklōps) is an ancient Greek satyr play by Euripides, based closely on an episode from the Odyssey. [1] It is likely to have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in 5th Century BC Athens, although its intended and actual performance contexts are unknown. [2]
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