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The final section of "Brother of Mine" draws on an unrecorded Asia track "Long Lost Brother of Mine" written by Howe and Geoff Downes. "Birthright" concerns the British nuclear tests at Maralinga in the 1950s and 1960s in Australia and incorporates material by Howe and Max Bacon for their band Nerotrend.
The following is a list of the schools, colleges, and other educational institutions founded, run or staffed (in any capacity) by the Congregation of Christian Brothers (sometimes called the Irish Christian Brothers) since 1802. Some schools no longer exist, some are incorporated into new schools and some have changed their names.
The Mackle brothers—Elliott, Robert and Frank Jr. [1] —were brothers who developed real estate projects. They popularized selling land in planned communities through installment plans in Florida, creating several communities in the process. [2] Elliott J. Mackle was born in 1908 and died in 1978. [3]
Only the town mailman, D.N. Graves, was inconvenienced by the change: “A little trouble has been caused by the similarity of the names Davie and Dania, especially when the names are carelessly ...
Jamie, like a chip off the block, turned his newfound fame into a side-hustle: He printed hundreds of autographed photos of the band and sold them for $10-$15 a pop. One day, word got out that ...
“I could call my brother right now and he wouldn’t know my three kids’ names,” Jamie says. “That’s f***ing family, I guess.” “The whole situation to me is very sad,” says Deanna.
From their home in Clonmel in Ireland, he, his wife Mairi, and their two children, Sorka and Brian, travel to Pern in deep sleep on the colony ship Yokohama. [16] Red is one of the founding fathers of Pern society and, along with his extended family, reflects much of McCaffrey's own Irish origins in the multicultural mix of early Pern.
Roots is Curtis Mayfield’s second studio album, released in October 1971. Having received critical praise from a variety of publications, the album is regarded as not just one of Mayfield's best works but also as a classic release of the '70s soul era, with Allmusic critic Bruce Eder stating that "the album soars on some of the sweetest and most eloquent... soul sounds heard up to that time".