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Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
Pendet dancers offering a greeting. The original Pendet dance is performed by 4-5 young pre-pubescent girls in the yards of Balinese Hindu temples. Pendet is the presentation of an offering in the form of a ritual dance. Unlike sacred ritual dances that demand arduous training, Pendet may be danced by anyone, taught simply by imitation.
Hudoq is a masked dance performed during the Erau harvest thanksgiving festival by many of the sub-groups of the Dayak ethnic group in East Kalimantan province, Indonesia. [1] The Hudoq culture and performance are indigenous to the Dayak population of East Kalimantan province, and they are said to have originated from Mahakam Ulu Regency. [2]
In every appearance of the Kancet Papatai Dance, the man (or Ajai), is typically accompanied by a woman who expresses two different types of dance: . The Kancet Ledo dance, a dance by one woman which depicts "the gentleness of a girl as a piece of rice being gently blown by the wind". [4]
Piring dance (Minangkabau: Piriang; Jawi: تاري ڤيريڠ) is a traditional Minangkabau plate dance originated and performed in West Sumatra, Indonesia.It is also performed in Negeri Sembilan, Malaysia.
Cakalele dance (pronounced "cha-ka-leh-leh", spelled tjakalele by the Dutch) is a war dance from North and Central Maluku in Indonesia. [1] Hybrid versions also exist among the natives of Sulawesi (Kabasaran dance or Sakalele of the Minahasan), [2] East Nusa Tenggara (Abui Cakalele from Alor), [3] the Tanimbar Islands, [citation needed] and Fakfak ( Mbaham-Matta's Cakalele Mbreh). [4]
In 1961, Indonesian President Sukarno prohibited rock and roll and other Western genres of music and challenged Indonesian musicians to revive the indigenous arts. The name jaipongan came from people mimicking of the sounds created by some of the drums in the ensemble.
Some of the Ibans in Brunei and West Kalimantan also use the steps in Ngajat Serakup from Sarawak because of it uniqueness, complexity and elegance. Ngajat Indu [nga-jat in-duq] Ngajat Bebunuh [nga-jat bē-bu-nuēh]: Presented by the young men of the community, this dance is a replication or repetition of what men do when confronted by enemies ...