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[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2]
Color prints were also used later in the Ming Dynasty. [1] In Chinese woodblock printing, early color woodcuts mostly occur in luxury books about art, especially the more prestigious medium of painting. The first known example is a book on ink-cakes printed in 1606, and color technique reached its height in books on painting published in the ...
A fragment of a dharani print in Sanskrit and Chinese, c. 650–670, Tang dynasty The Great Dharani Sutra, one of the world's oldest surviving woodblock prints, c. 704-751 The intricate frontispiece of the Diamond Sutra from Tang-dynasty China, 868 AD (British Museum), the earliest extant printed text bearing a date of printing Colophon to the Diamond Sutra dating the year of printing to 868
Bi Sheng (972–1051) was a Chinese artisan and engineer during the Song dynasty (960–1279), who invented the world's first movable type. Bi's system used fired clay tiles, one for each Chinese character, and was invented between 1039 and 1048. Printing was one of the Four Great Inventions. Because Bi was a commoner, not an educated person ...
Inksticks often have various inscriptions and images incorporated into their design, such as indications of the maker or the type of inkstick, poetry, or an artistic image. A good inkstick is said to be as hard as stone, with a texture like a rhino, and black like lacquer ( 堅如石, 紋如犀, 黑如漆 ).
Chinese people from Song dynasty called paintings, maps and other pictorial images as tu, so it's impossible to distinguish the types of each painting by name. Artists who paint landscape as an artwork focus mainly on the natural beauty rather on the accuracy and realistic representation of the object.
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Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours, but more so than gouache. The high glue content makes the pigment bind better to Chinese paper and silk as well as enabling works of art to survive the wet-mounting process of Chinese hanging scroll mountings without smudging or bleeding.
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