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This page was last edited on 6 November 2024, at 22:52 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and the flamenco guitar technique is known as toque. Flamenco players tend to play the guitar between the sound hole and the bridge, but as close as possible to the bridge, to produce a harsher, rasping sound quality.
Occasionally, he would make "flamenco negra" guitars as well, with backs and sides of Indian Rosewood or Brazilian rosewood. These instruments begin to take on more of the tonal qualities of a Spanish classical guitar , although Gerundino's bracing system and construction maintain the essence of the flamenco sound.
Carlos García Montoya (13 December 1903 – 3 March 1993) born in Madrid, Spain, was a prominent flamenco guitarist and a founder of the modern-day popular flamenco style of music. [ 1 ] Early life
Mario Escudero (October 11, 1928 – November 19, 2004), was one of a handful of Spanish flamenco guitar virtuosos who, following on the footsteps of Ramon Montoya, helped spread flamenco beyond their Spanish homeland when they migrated to the United States in the early 1950s.
Rafael Riqueni del Canto (Sevilla, August 16, 1962), is a Spanish guitar player and composer. He is considered as one of the biggest names or “Maestros” in flamenco guitar history. [1] [2] [3] At age fourteen, he won the two main national awards for flamenco guitar in Spain. [4]
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