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According to a curator at the Metropolitan Museum of Art, the labret is "perhaps the finest Aztec gold ornament to survive the crucibles of the sixteenth century". [ 1 ] Labrets were associated with the nobility in Aztec culture, worn by rulers and meted out as honours; even then, gold labrets likely remained the province of the élite.
Such jewelry was worn to show how wealthy one was; lower class Aztec would tend to wear less jewelry than an Aztec of higher placing and wealth. The jewelry worn by the Aztec people was rich in variety. Aztecs perfected metalworking to a great art. Gold and silver jewelry was worn alongside ornaments made of feathers, shells, leather, and stones.
Aztec or Mixtec frog ornament necklace from the Metropolitan Museum of Art, 15-16th cent. Frogs are associated with the earth. Metal working in Mesoamerica, especially of silver, gold and copper was advanced by the time the Spanish arrived, mostly concentrated in the modern states of Michoacán, Oaxaca and Guerrero.
The Metropolitan Museum of Art offered a tour of his home to see his collection on February 20, 1970. Eric had a showing of jewelry pieces ranging in value from $20,000 to $40,000 (Aztec Jewelry). The jewelry was unwearable because of the softness of 24kt gold. De Kolb was asked to sculpt replicas of his ancient jewelry and statue collection. [4]
Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
In some of the most precious of Aztec art, feathers were combined with gold and precious stones. [31] Feather art needs to be protected from light, which fades the colors and from insects that eat them. Preservatives were made with several kinds of plants, but today commercial insecticides are used. [32]
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